It sounds a bit like an empty statement: I like concert halls as much as plenary parliamentary meeting halls, lecture theatres and rooms for seminars and intensive debates.
It fills with so much substance by the sentence Alvin Ailey contended:
I want that everybody understands that dance is not about wind-up-dolls. I am interested in ensemble-dance and human personality – that is the most important. Whet makes it really interesting is when a dancer can reveal something of him- or herself by the dance.
You can turn it as you like, never loosing, though always specifically gaining meaning:
Life is a dance – dance is living – political and learning stages are dance floors – all those theories and political strategies and studies make only sense if they reflect such dialectic that makes the apparent main actors to mere servants, keys opening gates to spaces, more than unlocking doors to corridors – allowing inner beauty to unfold … –
– … so strange, remembering dancing with the European Commissioner and heads of the “DG V”, many years back?
– … so strange remembering dancing with the young cygan woman, many years back? What went wrong that we dance less and less instead of more, and instead of all of us dancing together?
– … so strange, remembering the para from the German Ideology, that is dealing with [overcoming] the division of labour?
COMMEDIA DELLA VITA OR PÁNTA RÊI'S FIRM GROUND 
Un pensiero riguardo “Corridors and Fields”