SPACETIME

Of course, even if thinking and especially academic thinking is characterised by its systematic and strategic analytical dimension, it is surely also influenced by coincidences – contingent occurrences that are determined by what is happening around us, what is actually by our mere positioning in the world visible, perceivable to us.

And one of these coincidences may well be my recent return from a multi-million city, the 2nd largest city of a multi-million country and occupying a rank of 5 to 10[1] on the list of the largest cities of a multi-billion world.[2]

But it is not simply this experience that brings space in some specific way my attention – others are since some time engaging in social science: be it the geographer David Harvey, or the (amongst others:) urban theorist Mike David, looking at the Planet of Slums.

*******

It is early July now – I booked the ticket for the Museum of Fine Arts some time back. If I would not have this ticket, determining even the time slot of my visit, I probably would not go there – well, Egon Schiele is actually not my favourite artist, and his rather blunt view on nudity and exhibition of himself[3] would not invite me to leave to Hősök tere on this nice summer day. Or are his 170 self-portraits actually more about honesty than about exhibitionism? Honesty ablout the search for identity at times when society itself lost identity?

Anyway, the ticket is booked, and it is also a little bit of an obligatory act for the art historian that is dormant in me 😉

And there I am: the bright, sunny day left behind the doors through which I entered the gallery – behind the doors now being outside.

I am actually fascinated, drawn to or even into the painting that is right opposite of the door through which I enter the even darker room on the ground floor of the eclectic neoclassical building:

Self-Portrait with Chinese Lantern Plant from 1912

It is well known and, having seen it frequently in books, on post-cards and on the internet, I always asked my self why it is such a widely reproduced painting. Seeing now the original, and seeing it stepping out of the dark surrounding, I know immediately what causes the fascination: space.[4]

There is something that goes much beyond the painting which is actually a rather simple small composition: the painter depicting himself against the background of a lantern plant; the person captured with its contradiction of a relatively bright appearance of the distorted and grave face.

The upper body stands sharp contrast – in the bold dark suit against the shiny background, a space that has something playful, given by the lantern flower.

And after the recent visit this flower adds surely to the fascination – a kind of call from another world.

Not these contrasts but the order of space cause an irritation that arouses an utmost positive sensation of the view.

It is difficult to grasp – photography fails to picture it, and words surely fail too. It is a dialectical tension of mutual capturing and conquest. The question is if the person occupies, surrounds the space or if the space surrounds, occupies the person. Is it this loss of clarity about space and its occupation, these ‘blurring borders’ of hegemony that cause this outstanding face?

In the words of the Museum of Fine Arts’ smart phone application we look into

[a] face filled with torment, dishevelled hair standing on end, and hands clenched in anguish.

It is the question – but nevertheless it is a question that is not asked and that still seems to be answered without a single word.

Space then becomes more and actually different to what geography proposes. It emerges as immediate social space in its genuine meaning:

In the decade preceding World War I, Vienna was still an imperial city enjoying an Indian summer of refined sensual pleasures for the privileged few. However to later generations it appears rather as a laboratory febrile ‘end-of-the-world experiments’ (Karl Kraus) then a model for a multicultural, pluralistic and incredibly multifaceted society.

(Sármány-Parsons, Ilona: Vienna, City of Eros and Thanatos; in: Egon Schiele and his Age. Masterpieces from the Leopold Museum Vienna. Exhibition Catalogue. 26 June -29 September 2013; Budapest: Museum of fine Arts; 9-37; here: 10)

Strolling through the exhibition, I am another time convinced: Social science can hardly do without looking at arts as a mirror of society, surely not showing the entirety , but depicting some important elements of the Zeitgeist. And playing with it – turning space and time around, against each other …; moving in space and being moved by spaces … – and thus exploring the dialectical tension of mutual capturing and conquest of space, movement in space and thus time.

Look at The Hermits, also from 1912; or the Klimtian Portrait of Henryka Cohn by Richard Gerstl (1908)

Sure, all this is about Early Viennese expressionism – and we learn from the exhibitions comment

The secession was still enjoying its golden age when the new generation appeared on the scene in Vienna, who’s members were eager to move on from the kind of stylised art that smothered everything in ornament and refined elegance, and which was turning the Secession, in a majority of cases, into nothing more than decoration. The desire to replenish form with content – symbols and emotions – flooded forth with elemental power where som artist were concerned (Richard Gerstl, Oskar Kokoschka) but trickled as more of an undercurrent with others (Egon Schiele, Max Oppnheimer). By replacing the gently curving contours with robust field of colour, the new generation broke the dominant trend that ruled around the year 1900. Carefully evaluated balances of colour and form were discarded, and in their place, in Schiele’s art around 1910, came an expression of form that was motivated by feelings and instincts that welled from deep within.

*******

The lantern flower from Schiele’s portrait had been mentioned – and there may be more to it: aren’t lanterns also offering guidance? Aren’t they also offering security, hope – the hope of moving towards the light at the end of the tunnel, its perception always suggesting that it is not the light of the train entering from the other end.

So we return to the catalogue from which we learn that

[a]fter 1903, and more pronouncedly after 1905, Viennese art was more influenced by the many foreign works that were shown at exhibitions in the city than had been the case earlier. These works unveiled stylistic trends which could no longer be judged according to traditional critical categories based on mimesis. The principal yardsticks for judgement now became originality and the boldness of a picture’s formal experiment.

(Sármány-Parsons, Ilona: Vienna, City of Eros and Thanatos; in: Egon Schiele and his Age. Masterpieces from the Leopold Museum Vienna. Exhibition Catalogue. 26 June -29 September 2013; Budapest: Museum of fine Arts; 9-37; here: 22)

Thus we may say that Schiele is only looking for the light, being caught by the lack of direction; Anton Faistauer only a little bit later (in 1913) being confronted with the answer, with one answer. At least this is what he suggests in his painting

Street towards Duerstein (1913)

But this one answer is actually only focussing the diffuse helplessness – confronting us with the alternative of the coming and the going. Facing the original we are challenged to decide: are we coming, or are we actually going? What is the end, the goal – and (how) can determine it … – glimpses only can be seen, vague, very vague. But at least these glimpses of Cubism can be seen, shining through while the era is facing in reality the loss of hope, answering with the roar of a wounded animal.

What happened a short time later did give one answer: the answer that is most definitely a non-answer, an option we should never consider again as it will not lead us anywhere!!

And cum grano salis this also the question I had been facing recently – not as question of war, of such a war.. – but the question of the clash of cultures: standstill and development and development in which way ….? The question Lv, Xuxiang and their mates will have to answer …

The question that stands in multi-million cities and villages of a view people alike.

*******

I return to the office, walk buried in thoughts along the Andrássy út, the noble street, street of the former nobles, then and now the street of embassies; the street that celebrated the turn of the century by opening the first metro in the year 1896; the street that, today divides the Pest of the ordinary people and the heroes by its stretch of noble shops: the international brands, spacetimes of today’s nobility: global efforts of maintaining hegemony; global efforts of tying down the not of governance that needs to be opened with a complex strategy, taking up four ends at the very same time: the four-in-one strategy, that constitutes hegemony and counter-hegemony alike – Frigga Haug worked extensively on such strategy.

It is  long walk – listening to Ludovico Einaudi’s Divenire is accompanying me ….


[1]            The ranks are extremely difficult to determine – relevant lists show different figures without allowing an insight in clear definitions of relevant criteria.

[2]            According to http://countrymeters.info/ the data are as follows:

07-07-2013 20:56:26: 7 105 642 573 (Current world population); 3 583 606 273 (Current male population); 3 522 036 300 (Current female population); for China: 1 361 022 180 (Current population); 706 618 530 (Current male population); 654 403 665 (Current female population)

[3]            says the blogger … – … Hic Rhodus, hic salta!

[4]            Admittedly it is also the way of exhibiting the painting. I saw it earlier in Vienna, without being caught in the same way.

Once upon a time – and everything changed … !?!?!?

A day at the end of June, 8:36 a.m. – high-speed train G7381 with the name “harmony” brings me from Shanghai to Hangzhou.

Apparently it had been Marco Polo who said

下来有苏杭

上 有天堂

and indeed, it seems to be heaven on earth. I am moving there on the ground, at the earthly speed of nearly 350 km …

… outside the built-up areas, the fields, the streets and the huge green-house areas – passing like images of a dream, appearing and disappearing like the clouds one may see when looking out of the window of an aircraft … 350, 300 …

… 250, 200, 180, 140, 90, 80, 55, 30, 20, 10, 9, 7, 4 … the train stops …

********

… it is a while ago that I lived in a town in Germany – mind, not a village, not a city: a town. There had been approximately 25,000 inhabitants and occasionally we went to a city nearby: a place with probably 100,000 inhabitants. Well, we thought it would be a city. At least there had been an opera house and theatre and I had been privileged, occasionally being able – finding transport and having the money – to go there. I had been a child then and this is one of the memories I am fond off; one of the things I thoroughly enjoyed during my childhood; perhaps I enjoyed it so much because it was a little perforation in an environment that seemed to be smooth and that actually had been smooth, any attempt to escape only leading on slippery ground that did require permanent movement, but did not allow progressing.

A bit later this tiny, seamless world had been bursting – for me in the same way as for the many who turned to the streets at the end of the 1960s: against the aggressors in Vietnam, against the German media-giant Springer who had been one of the gofers of the aggressors in the far-east; against the Gaullist system in France; but also in favour of matters: of Bloch’s notion of the Principle of Hope and Marcuse’s realist utopia, proposing

You should sleep nine hours without dreams. Then you have the day for dreams.

And we had been moved in favour of A.S. Neill’s ideas on education, seeing

[t]he function of a child is to live his/her own life, not the life that his/her anxious parents think he/she should live, nor a life according to the purpose of the educators who thinks they knows best

and seeing this not only as right of children but as right of human beings in general. And those of us, who had been more radical, saw it as particular right of the oppressed: the working class, women, migrants …

Another short while later, after laying down sound foundation stones of my future academic life, I actually lived …, well in a city you may say, probably nearing 200,000 inhabitants …

… and another bit later I began floating around … – real cities, reasonably spread across the globe. After a while I stopped bothering about numbers – perhaps an exception being the time I worked in Taipei which I found remarkable not really because of the number but because of a kind of de-pressing tightness; and an exception at some stage Munich – the first time when I lived there I have had the impression that this would be the real eternal city: eternal vividness if one accepts that 24 hours, exactly one day, is eternity. There seemed to be no real rest: some time the entire city comes to a respite. Moscow perhaps had been another exception at some stage – but it may well be that I had been actually impressed by the seize of the building of the university in which I lived: one of the Vysotki, the “seven sisters” is surely something remarkable …

… travelling, moving on …, at least moving from one place to another, between large places and small spots … and though there is a lack of stability when it comes to the side to which I actually had to leave the bed, there had the stability of my brain: never really loosing the direction, always answering the wake-up call in the hotels in the correct language (even when talking to an automated system), and indeed always leaving the bed to the right side – knowing that it has to be at the end lead to the left side anyway.

********

A day at the end of June – Shanghai is now left behind – I spent only a short time there, about two weeks, teaching at SHU – but still it allowed me to explore a little bit of the city …, no: time to explore the contradictions of a place which surely is a city. Apparently one cannot rely on figures when it comes to its population – but what does it matter if it is 20 million or 24 million. Aren’t a few million people at the end small differences in such place? The really exciting part is actually another: that this city – probably like any other city – is a multitude of social places where

the social is an outcome of the interaction between people (constituted as actors) and their constructed and natural environment. Its subject matter refers to people’s interrelated productive and reproductive relationships. In other words, the constitutive interdependency between processes of self-realisation and processes governing the formation of collective identities is a condition for the social and its progress or decline.[1]

And they do it in very different ways.

The baseline is that many of these are Chinese citizens, but not registered in Shanghai. The baseline is that there are many foreigners – not allowed to work but nevertheless working, even paying taxes. The baseline is that this mega-city is gigantic hub, lacking clarity though its different nods of traditionalism and modernity, poverty and affluence, paralysis and vividness are entangled by an amazing network of a progressive metro system with 13 lines (though line 12 does actually not [yet] exist), covering 439 kilometres.

Any move that is guided by some basic attentiveness discourages us to speak of a city as living space. Although people move around, although the clash of poverty and affluence is permanently present, the actual life is taking part in some other regions – and it is surprising …

********

Actually the original plan for these months had been to live in Rome, the so-called eternal city. And instead of settling in a new life, I continue floating around. So instead of change there is continuity in my life: travelling, occasional concerts, galleries.

I am so lucky that Lv and Xuxiang show me around. Or should I say, allow me to live a little bit with them, joining their life.

Lv herself is one of these sweet Asian girls – matching every prejudiced expectation: looking like the blossom of lotus, her voice being like the sound of the flute she played the one night when I got known to her, and having eyes shining like jade [actually I am so ignorant that I do not even know the colour of her eyes for a long time; and then it turned out that they are actually brown … – yes, there is brown jade]. Well she is really good looking and a really lovely person, leaving poetical embellishments aside. And this young woman showed me so many places: galleries, concerts, the small old shopping centres, most beautiful gardens and a modern department store.

Though she knows exactly where we are going, it is more strolling around – and going may mean walking, going by taxi, taking the metro are sitting in the back of the Rikscha (though not a real one, but its motorised version).

… and it is surprising indeed …:

While being a modern and fast developing place, the tradition cannot be overlooked. Of course, it is the tradition of temples and the ornaments of some of the buildings. The parks still being a spot for many – and actually walking through them gives occasionally the impression of too many going there. But even if they are busy they are a kind of oasis – an oasis by contrasting the busy hassle and bustle of this multi-million project of togetherness; an oasis by contrasting the smoothness of the straight-lined modern business centre with the romantic bridges across the small ponds, never just a line from one spot to another – instead they are angular constructs that allow engagement with space, provoking playful rendezvous with nature and the self and others. Sometimes music is playing in the background, coming from loudspeakers – or is it actually the singing of birds? Or even only an illusion: the memory of the flute play of the one evening, of the tender sound of the Guqin?

And the parks, the small tables on the streets in the quartiers are an oasis as they let us forget the ere seize of the mega cities, show us where life simply flows like the water after having left the spring and forming a little trickle before it is getting lost in the large streams.

In some way all is of special attractiveness where it is remarkably “dislocated” from real life of contemporary realities and still visible as its vivid part. As the middle-aged woman, sitting in front of the house in the presumably poor area near the posh 1933 shopping and arts centre. Somebody else – her mother, a woman from the neighbourhood …? – holding the sheets of music. And the woman sitting on a simple chair, holding the instrument – a pipa – on her lap and creating a harmony that is simply “round”, content and resting in itself – resting in order to allow permanency of movement.

Exotic one may say. One may also say it is just the visibility of the daily tensions and the beauties that are even entailed in what we usually assess as something negative: tensions.

Some time during my visit I will have the opportunity to look at the sheet of music for the Guqin – it looks a little bit like a technical construction plan, the instruction for an arithmetic equation. It is so different from Western sheets of music – and it makes me think about “hearing maths”, something I had been reading some tome ago in a Russian journal.

For the layperson it may look like a plan that presents the blueprint for one of these monumental metro stations – some of them are surely as large as the core of the small village that served me once as home.

And it is this a paradox of continuity of personal life and societal life alike. As much as

the territorial state emerged concurrent with the deterritoriali- zation of political economy and geographical imagination,[2]

as much we can see that we are personally increasingly defensive of our own little territories, many of us having lost the sense and ability of genuine sociability. I will come back to it later – under the title the bowl of rice for every one but not for all.

We see this difference also in the new ways of life and living – still the old patterns of communities – but as they loose their strong inherent coherence that defines their closure from inside, that are now increasingly defined as gated communities: the inner wall replaced by the outer wall, the knowledge and compliance with moral requirements and orders, the acquaintance with a common and more or less unique language …, all this replaced by a single piece of metal or a chip or a PIN, opening the gate. And still there are the same things happening inside: the play of chess or card games, making music or listening to it …, and match making, different in forms but following this language that is written between the lines, the meaning that is standing behind the words – and cannot be found in any dictionary. But still

the interaction between people (constituted as actors) and their constructed and natural environment

follows different rules and although

[i]Its subject matter refers to people’s interrelated productive and reproductive relationships

this does not say anything about the concrete forms that it takes.

Recognising the increasing meaning of the patterns of the Westernly-enlightened world, does not necessarily suggest levelling of difference. On the contrary it is – be it pleasing or scary or both at the same time – of special interest in which way the different offers merge, evolve into something new as dance on the squares: unconditional participation and equally unconditional dedication; the understanding of rights and duties, or righteousness and wrongness … – it is also the matter of bringing the different resources together: many shops actually being workshops in the true sense – selling the repair of nearly everything, the perfection of recycling and ideally the interaction with the customer who is present while the way of repairing is looked after and the actual work undertaken. This is where productivity is so limited – and where the social character of production is so genuinely present. And this is where productivity is so high – where the social character of production is so genuinely part of what is produced …

– … like in water heavens – but this is something that will retain our thought much later.

********

Continuities in a life – hearing and reading in e-mails about the post that arrives home, in Rome. Being there in the Far East, I look forward to going home though it has to wait another couple of weeks – and then I will be there only for few days: Arriving home, i.e. in Rome, like I came home to Aghabullogue in my previous life: short meetings, changing clothes, checking post – that is what a director, even an academic director does, right?

– Anyway, after having been strolling around in the megacities different villages with my friend, I look also forward to spending the other day again together with her and her friends. We will go to Suzhou … continuities of explorations and excitements.

But before going there, I am attending a one-day conference at SHU: sitting in some large place: the conference hall that is part of the library building, listening to presentations and at the same time writing – multitasking-abilities of the equipment being increasingly mirrored by the need of the operator to follow in the same mode. Well, in this case the presentations had been more than boring and I do not have a clue why they invited these people to speak – all somewhat Americans: “genuine” Americans from the “second generation” (i.e. the ones who are successors of those who conquered the country about 200 years ago and drove the Indians to the deserts and mountains, if they did not completely genocide them – well, even if language does not fully appreciate the fact: genocide always had been and will always be something that is done, and should be expressed by a verb) or people who settled there, as the Oz-Italian yank whose words had been so shallow that even dust would not have been able to find a place underneath.

********

So nothing changed? Or everything changed? What did really change? This moment, sitting there in the hall, I have increasingly (mind: italics) the impression that my “real life” is not real at all. Living in such a world where it is true what I came across long time ago as a joke, somebody saying to me on departure

Had been good meeting you. Look forward reading you.

A joke I thought as the person I met actually meant he would read more articles and books of me instead of actually seeng me. Yesterday somebody saying

Best regards from Nadia

– short hesitation. Yanfang saw it, mentioned the surname:

I just exchanged mails with her and she … .

And right now receiving a mail from Poznan, somebody asking me to join some board: I listened to your presentation in Moscow and …

I would be honoured if you agree to accept my invitation …

No, it is not about being real “player” in this global world – what actually really changed is that I feel like a cue ball on a playing field that is much too large for me and probably too large for all the other players, feeling somewhat crunched between and by different players. And having the feeling that it is not just me who is crunched but that there is something and so much going on that is completely out of control – though processes of controlling are mutually exercised.

During this conference I had been approached by somebody – a “low-position assistant”, asking a question on logistics – and I answered, showing her the staff card with my name …

I know who you are …

Well, then she obviously knows more than I do: perfectly trained. But also: You are your name and well, I will come back to it later – they are so meaningful here, every word well chosen: the meaning and what do I want my son/daughter be, that is what is expressed by the name – not looking back as the O’s and von’s and van der’s; not looking at the profession of the forefathers of the Thatchers and Muellers. We are looking into the future, seeing that

you are wisdom, reflecting before you act

– I think that is the full name of this one queen I can call my friend…; and Yanfang actually being with her name a “queen”, but I know only the first part of her name …

Anyway, I had been sitting in the conference hall, writing my article against “knowledge from books” and I should possibly have added some sentences against approaches suggesting one could learn creativity from books, fancy power point presentations and shallow-fancy phrases. Then I had to stop before the conference came to an end as I had to watch the time, having been asked to join for a special dinner (very formal and not the best for me as vegetarian). But I stopped writing at that stage anyway as there had been another beautiful music performance at the end – classical Chinese music … – after that a very short break and some Chinese youngsters playing pop music …: loud, though it had been in some way soft rock music (well known songs – the Western charts), it had been somewhat like hammering it in the brains …, and the Americans around, cold when before the beautiful music had been played, now moving their body, underpinning each bar, seeing their culture hammered into the minds of people, into a culture, like they are building skyscrapers in Pudong, pillars that are keeping up the MacD-, Starbucks- and KFC-culture on the ground.

Yes, pillars maintaining their foundation …, a world standing on its head. No, I didn’t cry though I had been actually near to it; I didn’t scream though I felt like a scream being possibly a means to maintain sanity – and I did not even kick the guy sitting next to me: an Indian-American, hammering with the others against his knees – though I had been near to kick. Even much, much worse, I mentioned my body moving too … .

********

… and I walked a little later, on the occasion of another ceremonial event, across the carpet – yes, a red one, perfectly ignoring the flashes of the cameras, smiling and waving: somebody telling me what to do …

It is only a show …

again I did not cry, scream, kick …; I tried to enjoy the show of which I had been one of the involuntary players.

While being driven to one of these events, another small facet comes to my mind. The colour of the cars –those vehicles used on such official occasions: black. As black is also the colour of moaning in so many cultures, I am wondering if it used for these events as an expression of government bodies, officialdom, academia, business etc, expressing the wretchedness of the loss of ground.

So far I came across only one exception when it came to these cars: Cuba. An old car, the driver probably having many other jobs. I also remember that we discussed the upcoming meeting with the driver while he brought us from the ministry of culture to the meeting of the Centro de Investigaciones de Política Internacional  – government buildings, by the way, that would surely not have been recognised as such (though I have to admit that I know this also from other countries: the actual work of ministries done in houses and quarters where one would not expect it).

********

Sure, all this is so far presented in a black and white kaleidoscope, a burning glass that does not even allow seeing shadows let alone the truly colourful joys of honest academic debates.

Such debates I experience actually one of these days in Hangzhou – finally meeting a colleague with whom I had been in contact for a long time.

I am collected from the airport and the first thing after arrival is that one of the students in the “office of the professor” – while he does not use it after moving to another campus, two master students can use it for the work on their varied topics – offers me something to drink.

You want coffee of tea?

I decide for the tea, of course, and I am told about the special green tea here in the city. I get it from a paper cup. Not the moment of celebrating tea, but still admittedly a really lovely taste of the Longjing tea. I assume somewhere there is a special language – as there I a special language for wine. Being ignorant of such a language, I can only try to grasp the by the words fully flowered, tasting sweet-bitter. I take great pleasure in this refreshing taste and also enjoyed chatting with An – a very open young student, telling me about her work but also asking about what my interests are.

It is not long and my colleague arrives – my expectation from the previous cooperation is not matched: a joyful, more or less young man, very energetic, stretching his hand out to me and greeting me with a warm, welcoming laugh. He tells me a little bit about the program of the next two and a half days: the work, the lunches and dinners, the excursion to the garden and the West Lake, and he presents the structure of the departments, schools and institutes to me. I am standing in front of the large organisation chart: public administration, private and cooperative economy, governance … – mixing in ways that are unknown from my usual Western environment.

– One thing may be remarkable in a side remark: the party is part of it – as party cell of the university. But it is not mentioned.

Later it will be mentioned – when we sit for a formal lunch. Formal means that the various representatives are present. For me is surprising what the locals probably do not even recognise: the presence of students and administrative staff. Formal means that we are eating together – my neighbour Xian-guo, Dean and professor, makes me aware of the actual meaning of something that I always get pleasure from without having yet thought why it is so delightful: the we-eating, the different dishes, permanently new ones being brought, exchanged by other dishes, all standing on the large glass in the middle of the table, turned around according to gusto, the “power” as matter of taking the liberty to look for whatever one wants, the “power” as matter of consideration on the wishes and doings of the others. – I cannot refrain from making a side remark, remembering several similar occasions when some Westerners had been sitting around such “rotating table”, keenly looking on what they yearned for, forgetting everything around them, as much as they forgot that communication is not about telling stories bunt about the

interaction between people (constituted as actors) and their constructed and natural environment.

Earlier I wrote that we might come back to the bowl of rice for every one but not for all. It may well be the bowl of rice we all like to have as coming with the meal. This, and the bowl of soup, is in the Asian concept of meal apparently the only part that is “belonged” by individuals, personal property that we Westerners had been extensively clinging on after the curse of the apple, bringing individualism and the claim of property rights over humankind; and after this blight had been multiplied by the capitalist enlightenment – an enlightenment that allowed citizenship only as precondition but not as actual consequence of freedom.

Liberté, Égalité, Fraternité

– even Kant with his categorical imperative would and could not have dared to think first of the brother or sister. And liberty had been first needed – even if it had been only in order to abandon it, to treat it as freestyle and thus as residuum as soon as equality of the contracting parties had been reached.

********

Back to the lunch, having been a formal lunch meant many toasts – I had to learn that it sometimes has to do suffice to take the glass without actually drinking. Toasts, clinking glasses – another we-experience but also a matter of individuals: somebody getting up from the other side of the table, welcoming somebody else, cheering each other up … – and finally allowing now the party coming into play: after the exchange of 12 name cards between 12 people and at least 24 toasts later, the topic changes: we talk about the Great Chairman. Yes, ever present – and yes, also a matter of critique, debate, search for solutions – and questioning.

There is a tiny detail, worth mentioning. It is abut the name cards – in the West we are usually talking about business cards, right? But there is so much in a person; and here is so much in a name – although it may be a wish, a dream the parents have for their children. And although these wishes are of course about wealth, security, saturation, they are still very much about the wisdom of matching the silk hair with the silk shawl – just wait a while and I will explain ….

********

– This critique, debate, search for solutions – and questioning is surely not the same as I mention, coming back to Lv and Xuxiang. And actually earlier the week comments by my students gave me some insight into expectations – and disappointments. Few of them follow here:

  • As through several classes, we’ve already have our own understanding about social, social quality and the structure. For justice and quality, so many years I do not recognize the difference between them, because they always been translated to the same word, now I finally catch the subtle nuance. The whole class ,I guess it not only has been an interesting thing, but also the way to teach us how to theorizing what we observed, and this is the serious part.
  • The way Peter teach is quite different from the Chinese way, it gives us more chances to present what we think, but not take it all from the book. I think it’s more flexible, through this we learn the course more rapid.
  • This foreign teacher is serious and earnest, the theory and opinion he gives is not just other people’s, part of them maybe came from his own observation and contemplation, so its quite fresh and original.
  • The summer semester is short, but I’ve learn things, especially the theory about social equality and social responsibility, these are the hot issue through the country, what we learn in class make us rethink the social policy in our own country, not daily discussion but to theorizing the events.
  • The first time to take a English course, and I followed it through, as a student from engineering, the most important thing Peter gives me is the way to analyze the incidents in our daily life, from a social scientific perspective.
  • This class has been useful. Now I have a general idea about these several definition like society and sociology. Also, we learned a new way of thinking.
  • It is not everyday we have a chance to get a lesson, especially everyone was given chance to do a presentation. I hope our professors in SHU could give more lessons like this.

Sure, this says more about the students and their experience in the educational system … – and also about what they experience in and want for life, it says more about this than it says about me and my teaching. And it leaves me with some contradiction. Though such statements are surely indicating some strive to break open conventional ways, I see also that many of the ways are actually already open. This critique, debate, search for solutions is surely much more open than what I experienced for so many times in these so-called open-governance circles of pseudo-critical Western lefties, where left is more about having left reason behind, having left the ground of proper consideration, instead of being a matter of political positioning.

I know, the following may easily be misunderstood – supposedly whitewashing many breaches of rights, apparently denying the problems of this country, be these the ongoing problems of what is still so often called a developing country or the new problems of an overdeveloping BRIC-country – one of these countries where bric may stand for brick: as building block or as instrument that falls on peoples’ head, neck, back or feet, striking without any care, but with its destroying energy the life of so many people. – These days I think frequently of Arrighi’s work and his analysis of “progress”: the move of the centre from Asia to Italy, to The Netherlands then, before reaching England, later taking off from there to the United States of Northern America – had not all these emergences being accompanied by these huge forces of corrosion? Not the Schumpetarian creative destruction (if we should consider something like this being real), but the destroying force of a steamroller of alleged progress. Not least a progress brought to the fore by the old superpowers. Nobody talks about the breach of human rights by capitalism – I do not mean just the obvious use of child labour etc., it is just the power of capitalism that moves into every pore of life – just as we know it already from Marx, pointing in the first volume of The Capital out that there exists a General Law of Capitalist Accumulation:

It establishes an accumulation of misery, corresponding with accumulation of capital. Accumulation of wealth at one pole is, therefore, at the same time accumulation of misery, agony of toil slavery, ignorance, brutality, mental degradation, at the opposite pole, i.e., on the side of the class that produces its own product in the form of capital. [..] This antagonistic character of capitalistic accumulation is enunciated in various forms by political economists, although by them it is confounded with phenomena, certainly to some extent analogous, but nevertheless essentially distinct, and belonging to pre-capitalistic modes of production.

And there is another point that strikes me time again – it is not the first time but I remember the same happening when I visited Cuba, Moldova, Russia, Taiwan, Turkey and others: the thinking of the Westerners. It is apparently so easy to forget – forget what one criticises in the “own” country; and so easy to forget what one acknowledges when looking at the host country from the outside. – And some may even wrap their forgetting nicely; transforming the “critique of imperialism” into the “right of the oppressed to adore the oppressor”. Sure, many find by going this way an excuse for their own lack of more fundamental critique.

********

Theatre, stages of producing oneself, not least by producing the other – without consideration, accepting the reality only to the extent to which it is result of the construction by oneself. But also without consideration of the fact of the self being equally constructed – by the constructed other. Reality is indeed more Kafkaesque the even Franz K could imagine …

– So I still dream, looking at what seems to be the only real world that is left for me: a lovely walk with the girl whose name is “you are wisdom, reflecting before you act”, and I look forward to next Saturday: I will return from Hagzhou, meet this wisdom and her friend at the people’s square and we will go to a concert, before I leave the morning, well, just after midnight, to Moscow. Lv, when we organised this, said

You will be tired.

I could only nod, but I am more tired from permanently leaving, from living between Ireland, Italy and Hungary and Greece and France and Germany and The Netherlands and China and … . No, I am actually not so much tired from travelling and calling at times a suitcase my home. It is more about being tired to live on this stage of mutual constructions, where everything has to be calculated, emerges as part of the theatre, a matter of roles to which the book had been written not just by somebody else, but even worse by an unknown author, now disguising him- and herself, claiming to be “I” and “we”, though leaving “me” and “us” actually in a world that seems to be without real exit …

…, only allowing few escapes – admittedly beautiful escapes like those to the heaven of tranquillity in the midst of 20 million+ people – a heaven of harmony in a hidden teahouse …

No, it is not paranoia (yet?); and perhaps it is not even really that anything changed. Perhaps it is just the continuation of a Diary of a Journey into Another World.

********

I am dashing across the train station, finally the silk fever got hold of me: I see a beautiful shawl in the window of one of the shops – pure silk. Seeing it, I see immediately that it is a nice present for a nice person. Actually I do not even think about the person, do not have to visualise her. I just see both matching. I look at the price tag, think about ..

… no, Sir, we do not accept credit-cards …

I ask for an ATM – and though the words are not understood, the matter at stake is understood. Soon I am nearly flying through the lines of people waiting for their train, trying not to loose my new guide out of sight: the sales person does not only show me the way to the next ATM – mind the emphasis on ATM, not so much on next (if next is understood as something that is near), she also shows me how to jump the queue, pass security gates without major stops; and she makes sure that I find the way back: the way to her shop, well the shop in which she works.

What is the link between such hunt across the main train station of a 24 million city and the following words, I quote in a new text I am working on:

Time gains a new meaning insofar as it has to be made part of considerations in its meaning of a (très) longue durée.[3] Instead, time is meaningful, not as a matter of historical consciousness, but as part of immediate practice – histoire événementielle interwoven with and welding with the longue durée and vice versa.[4]

It is rather simple: even in something like this scene, which may well be seen as buying binge on my siede and rip-off on the other side, there is at times an amazing harmony: the perceived beauty, the expected match, the transposition into market relationships and the strive for natural survival for which income – coming out of the pockets of people like me – is needed. At least it seems that life, living is not taking place outside of this relationship but is immediate part of it. It is difficult to define, de-fine…, fine with its two meanings, find …

It is something that occupies frequently my mind these days. Here in China – perhaps more in general: in Asia – the idea of harmony plays such an important role. It is guiding social policy as much as it is already a principle that is guiding arts – I will come back to painting at a later stage. But here I am – again – simply stuck by the ideas, the feelings …: listening to the soft sounds that are so characteristic for the traditional local music, the harmony of the gardens that play such an important role also today, the silk that is so common here for dresses of different kind and the long soft hair of my friend that I felt the one day on my arm, when we stood in the museum, looking closely at the scrimshaw of the traditional exhibits.

– Only a matter of the past and the diehards? Only a matter of wealth and for the wealthy? Something else comes to my mind – from the same text I am working on, concerned with Green Growth: the attempt to emphasise the temporal dimension of dialectics.

Rather than understanding dialectics in the (simplified) triangular relationship of thesis, anti-thesis and synthesis (which, of course, remains as basis principle in place) it is here fundamentally historicised by way of looking at past, future and presence. With view on the organisations and the sector in question it means to acknowledge that they are

  • in principle rooted in pre-modern frameworks – as matter of the past

  • anticipate potentially post-contemporary features and requirements – as matter of the future

  • and – equally potentially – implementing these under the (at times recalcitrant) conditions – as matter of the presence.

And what is in this new text said in regard of CSO’s and the so-called third sector is cum grano salis probably also true for any kind of social action – and we remember the social being defined as

outcome of the interaction between people (constituted as actors) and their constructed and natural environment. Its subject matter refers to people’s interrelated productive and reproductive relationships. In other words, the constitutive interdependency between processes of self-realisation and processes governing the formation of collective identities is a condition for the social and its progress or decline.

Sure, the instruments are different, but the tune is not so different at all … And we have to look at the many untold, even unknown histories on every day’s culture: tea and coffee, silk and wool, eating with chopsticks or cutlery, haircuts and the way of walking – actually all these hi–stories are not untold and surely well known. But then they had been nicely wrapped, making us forget how much they are reflecting out daily life, i.e.

people’s interrelated productive and reproductive relationships.

********

Finally I arrive in the hotel – a modern place next to the university. And I am not so sure anymore about what I just wrote before. Is it really just about different instruments, playing very similar tunes? I enter the room – the soft beat of the song, asking to

Take me to your heart

sounds as strange as the Lipton tea tastes strange.

Hiding from the rain and snow

Trying to forget but I won’t let go

Looking at a crowded street

Listening to my own heart beat

The recent chat with Xiaohong on painting – comparing European and Asian arts – comes to my mind. Talking with him, I mention what Lv told me, commenting on a painting we saw in Sozhou:

It is so difficult. It takes a long time to learn this kind of painting.  One has to learn to breathe every stroke with the brush.

And as Xiaohong, an elderly man, develops: it is part of a complex cultural pattern.

This painting is modest in colours and forms, modest in the use of space. It comes from the utmost inner of the artist and is not about exploring, let alone about encapsulating space. It is about devotion, developing an inner harmony – a harmony between humans and the environment in which they live.

********

The evening before my flight leaves Shanghai Pudong International, I experience this so vividly – when I go with my friends to the Water Heavens by Tan Dun; a bit more then an hours drive outside of Shanghai. I am admittedly a bit nervous – finally I have to get the flight few hours later.

Still, it is truly the experience that

music can be seen and architecture can be heard.

This is what Water Heavens is about. I may add to this sentence, that I red in the program brochure, that the move of the bodies plays melodies and the melodies emerge from the amalgamation of bodies and environment.

Sure, this harmony (or disharmony) of mergers and exclusions, of enrichment between different cultures and the difficulties can sometimes be easily translated into very trivial problems. For instance the eating with chopsticks. Not that it would cause problems for me. However, when it comes to the point of spreading butter, imported from Denmark or New Zealand, with chopsticks on the Délifrance-bread, it requires some creativity. And it is surely much less exciting than the eating of Lotus-flowers as little snack as I did while we had been strolling around the streets of the mega-cities.

********

A day at the end of June, 1:45 p.m. – Aeroflot flight SU207, nameless, bringing me from Shanghai to Moscow. We are moving with a groundspeed of exactly 349 kilometres – the plane is taking off. Heaven on earth will soon be underneath. Underneath also the built-up areas, the fields, the streets and the huge greenhouse areas and the cities. – Now all is passing in the memories, if I will manage to sleep? Thoughts blurring with dreams – those that are not kept for the days when we are going to change life, lives and living conditions. Dreams like those that bring us solutions rather than asking us to work towards them – and surely they have their genuine right too:

You know, when I was in primary school my dream was playing the flute and sitting on a cow near west lake when it was raining, because I always think there will appear a handsome god, make your dream come true.

What still stays with me is small, and still this megacity and the ultra- development cannot easily destroy it: the souvenir of the soft voice of a young woman who is searching, full of energy, her way in this mix and blurring of different worlds – and finding it not only for herself; the memory of the soft sound from the Guqin, played by her boyfriend when we visited together the tea house: still determined to go the harsh way of studying abroad, studying for himself, for contributing to the advancement of science and his fellow citizens. And what still stays with me is … – si, un mazzo di fiori … – and even if it will soon be withered, remembering the smell, remembering the two friends may be one of the contributions helping to move on, and helping to slow down …. – making stages to spaces of real life again.

********

谢谢

– I look on the tray in front of me; I look up, the airhostess looks friendly at me …, and I correct myself

спасибо

… she smiles at me …

Opening another chapter of this book of which we are all part though frequently forgetting this somewhat funny feeling of living in a history book – the book of which everybody is him- and herself author.


[1]            van der Maesen, Laurent J.G/Walker, Alan, 2012: Social Quality and Sustainability; in: van der Maesen, Laurent J.G/Walker, Alan [eds.]: Social Quality. From Theory to Indicators; Houndsmills: Palgrave 260

[2]            Steinberg, P. E., 2009: Sovereignty, Territory, and the Mapping of Mobility: A View from the Outside. Annals of the Association of American Geographers 99[3]: 467–495: here: 468

[3]            Understood quite in line with the work presented by the École des Annales

[4]            Herrmann, Peter, forthcoming: Green Growth – Critical Perspective on Third-Sector Development; in: Anastasiadis, Maria [ed.]: ECO-WISE. Ecologically oriented Work Integration Social Enterprises; there quoted from: Herrmann, Peter, forthcoming: Do we really need Human Rights; Rodrigue, Barry et altera [eds.]: NN; University of California Press

Details

or leaving me aside. Leaving me aside – my excitement when experiencing Russian history n a nutshell, really compressed in a short paragraph, a long sentence if you want: Compressed to the imagination of walking along the Nevsky Prospect on the pavement of which once Alexander Sergeyevich Pushkin walked …., a Zeitgeist that drove Fjodor Michajlovitsj Dostojevski to gambling; allowing me now to think in similarly eccentric ways as Lev Nikolayevich Tolstoy did, when he may have visited this city that has now the name Saint Petersburg; thinking about the greatness of Peter and the likes who, when time matured had been dwarfs standing in the way of the largess of a new society which chased them away, following the call coming from the Aurora and standing at the beginning of conquering the Winter Palace – the storm that later still required The Mother taking rigorous steps, standing up when she had been called.

Details are often forgotten while looking at the large picture. Or is it more that we are blinded by some grandeur?
There are surely the great politicians, the large lines and also the large crimes. And even if one should be careful with premature joys or anger, one should not take the required circumspection as an excuse for holding back with political judgement. And this is a matter of current governments here (yes: HERE) and there (for instance the ridiculous sentence for Berlusconi and the reduction of even this modest conviction. Nevertheless, leaving this major lines aside, looking at something that is more hidden it is sometimes the really small things that make huge differences.
When I went  he other day by train with Viacheslav to Petersburg – and while we had been comfortably sitting in the fast train, we had been chatting with Natasha (who is Natasha  – It could be a long story now like the many stories usually told from the transsib, even if the train trip took definitely much less time than one of those famous (or infamous?) trips in the “old times”. At some some stage we talked, of course, also about politics – Natasha recalled pre-Perestroika-times (“What are you talking about? When was that?” Viachselav intervened, half jokingly). The woman continued undeterred, though with a little smile:

You know, those times, before Gorbachev. We had been … – we. You,

she pointed on me, as on somebody coming from another world, the world of old capitalism

you start you sentence with I. And you write it with a capital letter, even in the middle of the sentence. it had been different here. It had been about us, about we …

Viacheslav intervened:

Peter knows. He studied also in

Looking at me I helped:

Leipzig – when it still had been in the GDR, although the Campus had been near Berlin.

Yes, the times and the circumstances had been different. But there seems to be more to it. One could speculate about this “it” constituting the we and the I … – and as much as times and circumstances matter, something seems to be still alive here where pure capitalism is on the advance to complete final victory. I thought about this “we” the evening when visiting with Viacheslav and Olesya the Mariinsky theatre, enjoying Glinka’s Ruslan and Lyudmila … – in the program brochure so many details had been listed, the soli in the orchestra even if they seemed to play a minor role. It seems to be a paradox: but here, where it is still about a “we-society”, the I becomes much more important than in societies that pretend individuality and can only do so by limiting it to a sole mate, who has lost the soul.
And in actual fact, the detail gains grandeur when being really part of the we. – And history is a little bit like a love story – a love story being felt like the “story line of history” …

Arriving

Saying Good-Bye – again — This had been the title of a recent posting. And indeed, there is some deep truth in the formulation John used when he wrote the other day in his really nice mail

as you sadly report, your uprooting and once more wandering, as of course scholars and refugees have done for centuries.

It is about sadness, and it is about this close link between scholars and refugees. And there is also much reflection in the words with which he continues, wishing that I find

an academic refuge, a medieval monastery in which to pursue scholarship and teaching as you would like to do.

Not that I may finally reach the state of a monk, defined as

a member of a religious community of men typically living under vows of poverty, chastity, and obedience.

May be it is poverty that awaits me; chastity is not really something to talk about here – there enough other miseries to report on and there are enough wrong choices in life that one doesn’t have to go with all of them – and finally it is hopefully about ongoing disobedience as it had been such disobedience, some independence that told me that it is Time to Say Good-Bye.

From various feedbacks I learned a bit about my life: I thought I would have been more or less outgoing, vocal and I admittedly missed the affects of it. People not reacting, not listening … – and now learning that part of my life  can be apparently seen as “background noise”. Those who read Niklas Luhmann’s later work will probably  remember … – And being background noise may be as much a praise of a life as I read from a colleague who felt very pleased when he saw his name mentioned somewhere in footnote of a famous writer. Yes, there are always the two sides. The one is the bright fire, dominant and victorious and showing the way …, the other is the small flame, flickering in the background, not much seen but somewhat indispensable when the clear light fades away, turns to be a dazzling instrument: blinding and misguiding.

Nani gigantum humeris insidentes

– Indeed, there is always the gnome standing on the shoulders of the giant, thus claiming to be able to see further as there is the giant walking across the path of the ant, “shouting justice for all” and  guillotining with every step so many of those on which he actually depends. Two sides – at least as long as we live in a society that is characterised by antagonisms they will be and they cannot really be harmonised.

There are also always two sides of Saying Good-Bye: the leaving of “places” and the arriving in “places”. Exciting undertakings. And perhaps all of them, if written down in a very subjective manner, are also allowing others to participate, better even: to make their own experience, to gain new perspectives in and for their life and living.

I tried the writing – impressions from roaming to and through different parts of the world. Kerstin Walsh, a former student and a present friend, contributed some lovely drawings (studying social policy doesn’t necessarily spoil life and the sense for its beauties) and to be honest: all of the people I met during this time, for short moments or for longer spells, played their specific roles – background noises, giants …, small flames and blazing fires ….

Again and again arrivals – Hellos!!!!

You may be interested in ordering

Peter Herrmann: Diary from a Journey into another World

Diaries against nationalism, inspired by trying to overcome personal resentments

You can find an extract here in the Rozenberg Quarterly

PS: I am currently working on a larger piece together with Kerstin. Last week she agreed to join the work I am just starting – hopefully together with Susann Staats co-writer) and Tobias Ruhnke (music). It is a children’s operar about a pink elephant ….

Time to Say Goodbye – Again

Thank you, Auke, for publishing it: Time to say Goodbye. Again.
It links well to the first Time to say Good-bye.

I got several responses to it, to posting the text via e-mail, one speaking of

big decision [towards] more power … for being true to yourself

It is somewhat sad that ‘being oneself’ needs big decisions, and cannot be taken for granted everywhere and for everybody.

Enigmas of Mastery – or Arts Challenges Academia

A side remark – isn’t all this blog-epistle a side remark, personal reflections on various issues in which personal, social and societal issues conflate?

So then a short note on dialogue. There is perhaps a reason for talking about the master and bachelor in ARTS that we should not push aside without reflection – as social scientists in particular we are part of a complex social structure – its history in past, present and future. And though we are not independent, we are part of a process that we may consider as symphonic piece of war and peace (borrowing the title from Tolstoi). Monumental and complex, full of contradictions and thoroughly determined by our readiness to truly engage in looking for collective solutions. Yesterday I have had the opportunity to attend an exciting concert here in Munich – exciting not least as it presented a tensional line from Bach’s 5th Brandenburgische Concert, passing Schubert’s 4th Symphony (‘The Tragic’), leading to Strauss ‘Thus Spoke Zarathustra’. Being confronted with the latter, consequently with the highly problematic oeuvre by Wagner provoked to move further moving beyond the smooth integrity of the Court Society, overcoming the tragedy and crossing the borderline of nihilism – not by denying it but by looking for a synthesis, for instance offered in the magnificent masterpiece provided by Shostakovich in the Symphony No.12 in D minor, Op.112 ‘The Year 1917’ – Admittedly something one has to learn listening – Barenboim once had been teaching me to admire Shostakovich’s work. And admittedly revolutionary processes and ‘results of revolutions’ (which, of course, will always be processes themselves) have to be learned. And looking at processes of learning the words by Albert Schweitzer on Bach’s work gave to come to mind:

It is not about alternating between the Tutti and the Concertino. ; the different bodies are related to each other in an intrinsic tension, penetrate, differentiate and conflate for another time – and all this emerges from an unfathomable necessity, inherent in the art. … One gets the impression to really face what philosophy throughout all times presented as a higher occurrence, the unfolding of an idea, creating its contradiction in order to overcome it, creates from here a new contradiction, overcoming it again and so forth, until it returns to itself, after it went through all stages of life. It is the same impression of unfathomable necessity and enigmatic satisfaction while listening to these concerts, following the subject matter as it first presents itself in the Tutti, then being subject to enigmatic divisive powers, finally returning in the final Tutti again to its inner entity, coherence.

(quoted in Wolfgang Stähr, 2003: Nicht nur zur Weihnachtszeit – Konzerte von Arcangelo Corelli bis Carl Philipp Emanuel Bach. Berliner Philharmony Programmheft Nr. 25 zum 21.12.2003)

Wouldn’t this be a matter we should revive in academic culture? A Sunday visit in the Alte Pinakothek paradoxically confirmed this when I joined a new format of arts education: Cicerone. As much as it is about the utilisation of great speeches the visit showed so much that all this is about dialogue, with the paintings, even between the paintings, between the presenters and not least by including the visitors.

Yes, academic life, if it takes itself serious is about the mystery of mastery of arts.

Catharsis

Well, being now here in Cairns again is surely also a little bit about dealing with my own history – having been here some time ago, working as fellow at the Cairns Institute …, one of the stations of what one may call unsettled life, unsettling life or living global(ity).

But arriving the one day around lunch time and having one free day before the conference brings me also to something we may call life at the verge of general history. And perhaps having lived on that verge, being merged into it without fully reflecting it in every day, requires this current personal catharsis (well, modern and in particularly social-work language speaks of debriefing though that is always difficult if we are required to be our own debriefer). – And living in history doesn’t allow debriefing as it would suggest an end to history (or at least its personal recognition).

___________________________________

Step by step.

Some reading during the flight – to be correct: re-reading. It is Wilhelm von Humbold’s The Limits of State Action. In the Editor’s Introduction of the Liberty Fund-Edition, John Wyon Borrow writes on page XXXVI f.

If this is true, if a sense of history is an aspect of possible emancipation from the given standards of one’s immediate situation, the relation between historiography and discrimination is, or has been, a reciprocal one. For the growing sensitivity, in the late eighteenth and early nineteenth century, to the nuances of distinct historical periods and the possible value they embodied, was intimately connected with the criticism of contemporary society. … The sense of the relevance of the past and its record, not merely of the crimes and follies of mankind but of its experiments in various styles of life and social organizations, involved in a reappraisal and a criticism of a particular image of contemporary society and of the notion of what constituted modernity.

Well, it is surely this need of knowing about history in order to be able to shape the presence and future. But let me be a little bit clearer – not only because I see this one of these days in Jill Chism’s piece of art The Inner Circle

Knowledge is not wisdom

___________________________________

Wisdom would probably not suggest what we see so frequently, so naively as convulsive search for a smart society as complementing a smart economy: we need a new foundation of society rather than the hope for pure moral reason. Humanist liberalism and its inherent individualism, consequently applied and not distorted, already erected this monumental system of injustice, this Leviathan of a single world market that eradicates systematically any notion of justice simply by defining injustice as natural order, leaving us with free exchange as guideline of the suggested ultimate freedom, of course not able to see it: an eye for an eye …, makes everybody blind  (as we can learn from the same piece by Jill).

___________________________________

As said, I arrive lunchtime and after having a shoer, I stroll along The Esplanade and it doesn’t take me long to stand in front of the war memorial monument

The Cairns War Memorial as erected to the memory of those who fell in the Great War (1914-1918).

Surely something to memorise, the victims of the terrible war, started from German soil, emerging as global war and thus showing that it had been not at all a conflict between nations but a fight for global hegemony, for the distribution of the world between the powerful.

It is a monument that makes us aware of “great history”, men fighting against men under the leadership of “great men”, the chiefs, guiding their tribes in a global fight against the enemy – of course, women didn’t play a role though ….

… I hesitate a little later, after I had been enjoying with my new Chinese friends a really great espresso (before preparing it, Ah Lam asked me “short and strong” – I nod and get what I wanted – even Italian espresso can hardly compete) and paying …, I hold the five Dollar note in my hand, the smallest note, depicting Queen Elisabeth II.[1]

And it may well be a good thing that the ladies are not on the battle ground – we know sufficiently from Brecht’s Mutter Courage about their suffering. And we know from his novel on the Good Person of Sezuan that too close involvement into these male battlegrounds may easily crunch her goodness.

___________________________________

A little later – after much laughing (not to say giggling), much talk and a few recaptured Chinese words that had been dormant in my little skull, anew giggling and a bow when we say good-bye – my way brings me back: again along The Esplanade, now looking across the harbour with the yachts – a surely posh place – in the distance the mountains emerging as aloof, marks of a different world – the rainforest overshadowed by a dark cloud, and overshadowing affluence. Overshadowing … – a paradox as this is the shadow of the past: not celebrated but genocided: massive and manifest at first an entire people of whom the rights even to exist had been infringed; later being “psychologically genocided”, standing in the shadow of the immigrants, themselves not even being allowed to do the same and instead banished for life and with their lifes. The yachts of the rich – owned by “New Australians” of whom the forefathers came on vessels: galleys that brought those who had been evicted from there own countries, loosing their indigenous rights and now claiming the rights over the indigenous people in the country to which they had been brought. And the yachts of the rich – now also owned by the Tourist-Australians. And still, it is the rainforest, the part of the country to where many of the traditional owners, custodians and ancestors of this land had been dispelled, now overshadowing this part of the country, giving the affluent present non-owners, the self-legalised proprietors a bitter spice: wealth established on the shoulders of displacement, and wealth – in the form of a shipyard and yachts – as border, building a kind of fortress.

___________________________________

Hope though … – between the strand and the boats a piece of art sticks out. Barely visible, lanceolate, colourful. A piece of art – “without title”, “Ohne Titel”, “sans titre” …. – I am not sure if it is indigenous or not. A piece of art that sticks out, barely visible, lanceolate, colourful, made by an unknown artist. A piece of art, barely visible, lanceolate, colourful and possibly marking the future – a future where title, authorship, property doesn’t matter.

___________________________________

Is it by chance that I see Bungan one of these days? The artist of whom I have one most beautiful piece of indigenous art – I nearly wrote peace of art which may well be a Freudian slip as it is a painting that expresses harmony in an amazing way. We meet on The Esplanade, actually in the shop where I purchased the painting. Seeing her and recognising her is a matter of the same second, I am immediately banned by a strange, somewhat magical power this woman exudes. I look …, well, yes, it is not herself, it is another paining and I am caught by it. A sober, black and white painting that stands out in the middle of all the colourful pieces. It is the history she expresses in the painting. The history that expresses more than

We had been right, and you took our land!

Instead, it is

We had been right, and we now claim our right. We should do it together as we have only this one world. But if we do not have another choice we will do it against you!

___________________________________

I would like to pay my respects to the traditional, present and future owners, custodians and ancestors of this land and acknowledge the spiritual relationship of all Aboriginal and/or Torres Strait Islander people with their country and their cultural values and beliefs.

This is the statement – though in slightly different forms – used often in this region on the occasion of opening ceremonies. And it is also in some form used on the occasion of the conference Racisms in the New World Order, which actually brought me back to Australia. Jackie Huggins who addressed the participants on the occasion of the opening reception also uses these words. Yes,

the traditional, present and future

And she emphasises future. As we will only have a future if we recognise it as future of this one world, the future of this one race: human beings striving for harmony within themselves and among themselves and with the environment we live in.

As said in the beginning, this visit is a bit of personal catharsis – not just as matter of remembering having lived and worked here for some time, but a reminder of “personal relationality”, the fact of being part history: the nightmare of all dead generations weighing also on my brain – in every day’s life[2] and the responsibility arising from there. Too often a burden … – the burden of walking too close along the verge.


[1]      Actually other, larger denominations of the Australian money also show female faces  – may be worthwhile to look at in its own right

[2]      Alluding to Marx, Karl: The Eighteenth Brumaire of Louis Bonaparte. 1852

The Emperor and Wolfgang Amadeus

The other day I saw on facebook an advertisement – apparently a new game.

KINGDOMS OF CAMELOT

I didn’t have a look at it. But of course, there is always this notion of ‘My home is my castle’ – although it is an illusion and the home of many is actually the home of their bank – in the best case. I write ‘in the best case’ as for probably most of the people it is not ‘my castle’ but a loan granted by their prince, the bank. And for increasing numbers it is victim of the loan-givers meddling collectors – the Deutsche Bank showing ‘German perfection’ even in crime.

The other day I talked to Marco, after we watched on RAI the report on Il Palio – he wanted to draw my attention to the anthropological side:

Isn’t there some medievalism in us: we are engaged in all these personalised and irrational attractions.

And he, the catholic, also wondered about the masses going to mass.

The recent visit of the pope in Milano caught the attention of …

I forgot the number, but it had been large enough to justify his words:

There is obviously something of this irrationality we need!? The feeling of security? Comfort?

Sure, this may also be an eternal resonance of the lost paradise, sadly looked at by Eve – captured by Antonio Allegretti with the masterful scuplture Eva doppo il peccato allegretti. And it is surely this challenge, defined by the gained independence and responsibility and the difficulty even of a genius as Euclid to fully master this independence.

*****

But Euclide’s problem had been the effort of keeping the world moving by handling a set of numbers and geometric forms. More radical attempts, for instance Stefano Porcari’s strive for a Catholic Republic had been cruelly rebuked. Not only that ‘he left life’, i.e. had been hang. But apparently he also failed to represent a demos – at least this is what we can concluded from Marion Crawfords who contends in the work Ave Roma Imortalis

The name Porcari calls up another tale of devotion, of betrayal, and of death, with the last struggle for a Roman Republic at the end of the Middle Age. It was a hopeless attempt, made by a brave man of simple and true heart, a man better and nobler than Rienzi in every way, but who judged the times ill and gave his soul and body for the dream of a liberty which already existed in another shape, but which for its name’s sake he would not acknowledge. Stephen Porcari failed where Rienzi partially succeeded, because the people were not with him ; they were no longer oppressed, and they desired no liberator; they had freedom in fact, and they cared nothing for the name of liberty; they had a ruler with whom they were well pleased, and they did not long for one of whom they knew nothing. But Stephen, brave, pure, and devoted, was a man of dreams, and he died for them, as many others have died for the name of Rome and the phantom of an impossible Republic; for Rome has many times been fatal to those who loved her best.[1]

It is somewhat symbolical that the space that accommodated the house where Porcari had been born and where he lived is now an empty space: in the middle of Rome, in a small street next to the Pantheon – a space where it is prohibited to erect a building. Is it prohibiting people to develop as collective and social demos, claiming a real res publica?

One can turn it around: The modern state, not least going back to Montesquieu’s ‘Spirit of the Laws’, never ever succeeded, and even aimed on, taking the res publica serious, the establishment of a public space. Not least as such public space is always a process as it had been shown in parts of that early French revolution that had been employed by processes rather than building up structures. The public had been systematically reduced on a gathering of individuals. At this point we may leave it open if and in which way this had been different in ancient times. But Euclidian arithmetical reductionism had to lead to the claim of private property being the ultimate ‘natural right’ as spelled out for instance by Locke. And even more, the individual had to be the ultimate point of reference – this had been the true spirit that Montesquieu managed to breath into history of modernity.

And as such, the state emerged as seemingly independent force not as what it is usually presented: the servant of the people. This res publica is a scattered mirror: Eve could only fall in despair, Euclid could only wonder why his genuine attempt crashed and Alfonso Balzico’s Cleopatra could seemingly choose but had been distracted from the affluence in front of her eyes by the permanent presence of the hissing snake.

*****

 And this allows to return to the remark on the

KINGDOMS OF CAMELOT

It is this ongoing and strengthened individualism that actually allows the new, now hidden emperors standing over the princes – and it allows the suggested servant of the people to act like a jester. Though the difference is: the real jester had been mocking about the ruler – and here it is the ruler, mocking about the people. Of course, this may easily be seen as clandestine clue: at the end of the day, the day that may well mark the beginning of real history, it will be the people ruling themselves.

But for the time being jestering is very similar to Euclid’s play with numbers and forms. It is not really far fetched: We find the very same picture in today’s economic policies: number crunching – even in many cases of the search for radical growth policy (my little project with Marica), the strive for Millennium Development Goals (topic of a new little project with Almas) and even the search for niches. As Brigitte says in a recent mail, referring to a book by Raul Zibechi

but he also thinks that the control over territories is getting increasingly important for the rulers and for social movements – something that also points on the re-emergence of feudal forms. Of course, the question is then how such theses can be applied here in Europe.[2]

This is exactly the problem: that many of the solutions are caught in the dilemma Einstein supposedly put into the words:

We cannot solve our problems with the same thinking we used when we created them.

This search for solutions by following the same thinking that created them is not new – though Charles Anthony Smith, Thomas Bellier and John Altick present it as new. Be this as it is, it is heuristically surely interesting to read

the ego-panoptic construct we identify has two related but discreet dimensions. First, the individual has a greater capacity to keep the powerful in check through individual level surveillance of society. Second, the individual is more capable of constructing the world that exists around them. State and society have an increased susceptibility to control by or influence from the individual while there is also a simultaneous limitation on the ability of state and society to force the individual to conform.[3]

*****

All this may sound rather abstract – but actually it has a very simple expression in today’s economic policies. Though all this is a central part of the crisis, it is nevertheless a frequently forgotten one. Debt and in particular indebtedness by the states is undeniably a major problem. It is again and again highlighted by reference in particular to crisis in Greece. And it is made increasingly a topic in supposedly rich nations, complaining about the ‘cost of solidarity. And it is also frequently – even by several conservatives – brought to the fore that austerity policies are at least not without problems. Such policies are not so much ‘imperial’ than ‘medieval’: the brute force against the subject by the use of violence; requesting increased dues. However, there is another dimension to today’s policies in dealing with public debt. And saying today does not refer only to the current crisis but to historical predecessors from the previous century. For Western Germany it is generally accepted that special conditions after WW-II – in particular the support received by the Marshall Plan and the advantage of a near to completely destroyed material foundation of the industrial process (means of production), allowing a kind of ‘new start’, condition for a major competitive advantage on the global level – fostered a period of exceptional growth. But with this we reach implicitly another point: the problem of ‘growth’ – not least since W.W. Rostow growth is considered to be a magic driver, a self directing pattern that does not require any justification as the attraction is given by the Platonic understanding of numbers as real, gaining their justification from a supposedly natural order: 1 naturally followed by 2 naturally followed by 3 naturally followed by 4 maturely followed by … – ops, naturally maturely as the given and unquestionable order of development. And it is the competitive-individualist growth pattern. The Cartesian

proposition, I think, therefore I am, is the first and the most certain which presents itself to whoever conducts his thoughts in order

– later we will come back to it – is now perverted. We can reword: The

capitalist proposition, I grow, therefore I am, is the first and the most certain which presents itself to any economy conducting its balance sheets in order.

As this is a purely individualist principle, and furthermore: as this subsequently is a purely competitive principle, it is also a matter of permanent externalisation of costs. Investment is not aiming on

the production and reproduction of the immediate essentials of life.[4]

And as much as this is still an important aspect – and at the very end the decisive point, it emerges in its capitalindividualist perversion into a rat-race of accumulation of supposed wealth and the permanently enforced externalisation of costs.

We may leave at the moment an important point aside: the fact that the suggested wealth is an illusion. Instead a seemingly technical aspect of maintaining this illusion is worth mentioning.

Germany’s exceptional post-WW-II-growth had been mentioned. But after 1945/49 other economies had been growing with exceptionally high rates too, including the United States of North-America and the United Kingdom of Great Britain and Northern Ireland. And indeed, this had been based in – on the one hand – increasing income at least of the so-called middle classes and – on the other hand – the availability of an increasing number of long-term mass consumables (refrigerators, automobiles, household appliances, TV/colour-TV etc.). Interesting is to relate the growth rate for instance in the USNA, the increase of public debt and the inflation rate. The problem of public debt is not the fact itself, but the use of such debt as means of permanent and massive re-distribution. Inflation is an effective instrument – and not least an instrument that allows dispossession: the assets of citizens with an average income are not only eaten up by the changing cost-benefit ratio on the market for every-day’s consumables. Inflation is also a means of public debt relief.

As Carmen Reinhart and Belen Sbrancia state

financial repression is most successful in liquidating debts when accompanied by a steady dose of inflation. Inflation need not take market participants entirely by surprise and, in effect, it need not be very high (by historic standards).[5]

This is a mechanism that works directly against the population and also via redistribution where banks and funds are working as intermediaries.

*****

Indeed, here we find a ‘love-story’ between the different profit-making and –taking mechanisms – complementing and competing roles at the very same time – that evokes repercussions of the first lines of the recitative in Mozart’s Così fan tutte, Despina contending

Now I can see

You’re a woman of sense.

and Dorabella answering

In vain, Despina, I tried to resist:

that little devil has such tricks,

such eloquence, such a way with him,

that he’d melt the heart of a stone.[6]

And in actual fact the problem of the entire story is brought to the point by Guglielmo, just a short time before expressing his pure egoism, expressing a misunderstood individualism:

such treatment of so many

is pernicious and a bore

… you treat so many thus,

that if your lovers complain

they have a good reason indeed.[7]

It is like the state which can easily be seen in sustaining a function of an indeed self-interested court: the emperor frequently changing clothes, appearing as social and welfare state, activating state, bureaucratic state etc.. There is no doubt, all these different appearances matter – politics do matter. But they do matter not least as part of a historically long battle about hegemony where Wolfgang Amadeus Mozart’s life may be metaphorically telling. A genius of a world that had not been invented yet, and a world that surely did not allow to live this collective notion – a world that finally deflated the genius, causing a puny withering away of a flower that lost its inner buoyancy at the age of 35.

a man defeated by life[8]

It had been and is world in which

[c]oncepts like ‘civility’ or ‘civilisation’ on the one hand and ‘culture’ on the other were used in Germany as symbols of different canons of behaviour and feeling. It was possible to show that the use of these words reflected the chronic tension between court establishment circles and bourgeois outsider groups. This also highlighted certain aspects of the bitter class struggles between the bourgeoisie and the aristocracy.[9]

However, there are two points that should be reconsidered when reading Norbert Elias’ analysis and reflections: The first is to put a big question mark behind his thesis that this struggle

finally came to an end in the twentieth century with the rise of the two classes related to the productive economy and the de-funtionalisation of the nobility as a social stratum.[10]

Fact is that the ‘productive economy’, i.e. capitalism, actually systematically undermined productivity if productivity is seen as matter of use value. If

[i]t is not from the benevolence of the butcher, the brewer, or the baker, that we expect our dinner, but from their regard to their own interest[11]

it must be something else – and indeed: it is exchange value that – by an invisible hand – creeps into all pores of life, absorbing meaning and sociability with every breath, with every stroke of the hand. The Cartesian proposition

Ac proinde hæc cognitio, ego cogito, ergo sum, est omnium prima & certissima, quæ cuilibet ordine philosophanti occurrat

had been frequently criticised for the inherent idealism. But its utmost individualist stance had been barely objected – Descartes speaks of those individual

whoever conducts his thoughts in order.

And this is it: the order of the mind and thought of the individual philosopher – sitting on an earthly cloud, playing a virtual harp: professional perfectionism, excellence of universities: the realisation of

their own interest.

Second, it is too often forgotten that this new ruling class is in itself split: citoyen and bourgeois inevitably interconnected and nevertheless unavoidably in conflict, avoiding each other like the plague: The idealist freethinker – and Mozart had been one of them – standing against the materialist utilitarian for whom paradoxically the only ‘use value’ is a creature that lost its feet and legs: ‘use value’ is – for the utilitarian – the ‘uselless’ profit, a ‘social construct’ based on the alienation also of the product from itself. A social construct that does not have any own use despite being a placeholder for any use-valuable; interchangeable even with itself.

Thus – coming back to Mozart – he had been not just in a quandary. The individual solution obstructed by the lack of inalienable social integration, thus undermining socio-individual integrity. And the social integration undermined by the individual not accepting to be a mere part of an disruptive system of …, yes: self- obstructing individuals.

Sure, the privileged Tamino can live this role. But really: Papageno cannot.

*****

It surely matters in which way we look at things, the perspective we take. Recently, visiting the Kunsthalle in Mannheim, I had been fascinated by overlooking the town through the window.[12]

Actually it may be said that it had been more overlooking history. An inexpressible notion. Depending on the position, the ‘images’ change. What seems to be a from a more distant position as Napoleonic visage, withers into a small house covered by a dark roof – youy see it in the middle of the diagonal that spans from the Eifeltower to the house with the red roof. The imperial greatness, the appropriation of historical power by one person transforming into people’s life, translating into an authoritarian character of bourgeois society.

For the time being we play in our little realms as for instance a

KINGDOM OF CAMELOT

– not seeing the invisible hand of the emperor, in fomer eras claiming to be representing the devine, then the emperor by grace of god, in extremes the claims of being God’s chosen people and today enthroned by the new god of mammon – money as the ultimate good. – To make sure: this is not the failure of individuals. Nobody can ‘see reality and act in a free will’. Rather, it is a forceful reality – gods are always misleading: the ancient and the modern gods, deceiving for a while by golden fleece und the cover of which the collective knowledge of the abys is darkened.

Delaunay’s La Fenêtre sur La Ville allowing to overlook Paris – the metropole that may claim to at least one of the legs of modernity’s cradle; and allowing to see that

make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living.[13]

Delaunay’s La Fenêtre sur La Ville: a painting with an inexpressible notion – evokeing helplessness. But even more suggesting the power of the de-indivdualised being – the kindness, solidarity, empathy and real self-realisation … – Herr Messerscharf und die Ameisenmenschen (Mr. Trenchant and the Human Ants) from Phanresia’s Stories of Friendship[14] once learned this lesson.


[1]            Crawford, F. Marion (Francis Marion), 1902: Ave Roma Imortalis

http://archive.org/stream/averomaimmortal04crawgoog/averomaimmortal04crawgoog_djvu.txt

[2]            may translation

[3]            Smith, Charles Anthony/Bellier, Thomas/Altick, John: (2011): Ego-Panopticism: The Evolution of Individual Power; in: New Political Science, 33: 1, 45-58; here: 46

[4]            Engels, Frederick, 1884: Origins of the Family, Private Property, and the State. Preface to the First Edition – http://www.marxists.org/archive/marx/works/1884/origin-family/preface.htm – 5/5/11 11:47 AM Online Version: Marx/Engels Internet Archive (marxists.org) 1993, 1999, 2000 – Volume 26. Frederick Engels. 1882-89

[5]            The liquidation of government debt; nber working paper series; National Bureau of Economic Research 1050 Massachusetts Avenue Cambridge, MA 02138 March 2011; Working Paper 16893 http://www.nber.org/papers/w16893

[6]            Così fan tutte. Drama Giocoso; Wolfgang Amadeus Mozart; Libretto by Lorenzo da Ponte. Première: Vienna, January 26th, 1790. Wiener Staatsopernchor/Wiener Philharmoniker/Karl Böhm; Live Recording from the Salzburg Festival on the occasion of Karl Böhm’s 80th birthday, 28 August 1974; Hamburg: Polydor International/Deutsche Gramophon; Libretto (Engl.: Lionel Salter) 32-205; here: 166

[7]            ibid.: 164

[8]            Elias, Norbert, [1991]: Mozart: The Sociology of a Genius; in: Nobert Elias: Mozart and Other Essays on Courtly Art. The Collected Works of Norbert Elias. Vol. 12: Edited by Eric Baker and Stephen Mennell; Dublin: University College Dublin Press, 2010; 55-167; here: 57 – it had been an uncompleted work by Elias, first published in 1991, edited by Michael Schröter who had been authorised by Norbert

[9]            ibid.: 64

[10]            ibid.

[11]            Smith, Adam, 1776: The Wealth of Nations. Books 1-111; Edited with an introduction and notes by Andrew Skinner; London: Penguin Books, 1999: 119

[12]            Robert Delaunay, 1885-1941 – La Fenêtre sur La Ville, 1910-1914

[13]            Marx, Karl: The Eighteenth Brumaire of Louis Bonaparte. 1852; here quoted from the internet-version http://www.marxists.org/archive/marx/works/1852/18th-brumaire/ch01.htm – 15/12/2008 11:21 am .

[14]            Peter Herrmann: Phanresias Geschichten von der Freundschaft. Ein Kinderbuch; With Illustrations by/Mit Illustrationen von Franziska Herrmann; Bremen: Europaeischer  Literaturverlag, 2010

Mocking and Roots

Returned from Rome – not only known as Santa Sede, but also known as one of the main “sites of antiquity”, seen as cradle of civilisation. Sure, it may be contested if such a claim is actually legitimate – there had been many antiquities and consequently there are many places that can be equally seen as such main sites. Having been there – this time actually not as long as on other occasions – I had been drawn immediately and tensely into this question. Perhaps it is our new office, if you want you may say the ultimate tension between times: an old building (though not reaching as far back as antiquity, a most elegant interior: with columns, arches and nearly monumental vases and statues, and at the same time accommodating one of the most modern social and economic research institutes. But all this …, does it go hand in hand? Is it compatible at all? On my facebook-site I surely made several disrespectful remarks – and I am not tempted to deny them. And I also made several remarks that simply reflect some general criticism: immeasurable wealth in the face of increasing world-poverty … With all this one should surely not simplify things – even personally I know a reasonable number of people: honestly faithful, honestly working for human rights, for combating poverty, trying to build up a just society. Actually the other day a leading figure of the Italian catholic church plead for a stronger influence of his organisation in politics – let us even assume that  he is a god-willing, honest person. But there we are in the middle of a first fundamentally critical point: This organisation claims not only influencing the state – we surely have to admit that there are several organisations, with different political couleurs, claiming the same. But this organisation, the Holy See as calls itself, calims TO BE the state, at least a state. What we easily overlook begins – symbolically – with the Vatican’s own Euro coins, and being surely expressed by the huge number of embassies. Actually walking through Rome, in most varied places, you find the embassies, the Diplomatic Mission to the Holy See. Btw., I think our Finish embassy has the most stunning location, overlooking Rome … Sure, btw. – but there is another point to it: next to it, there is a wall – narrow, just a small protection for the tourists that are roaming across this space: in memory of Garibaldi. On the wall you can read the Roman constitution – and there is surely a reason to mention and celebrate Garibaldi and the modern constitution in one breath. Literally, standing there, looking across the city, the Holy See is at your back – and you may want to say, it is in a position that is left behind. But you have to say: the church is a kind of backbone of this current system. There is no simple answer – on the cover of a book I bought in the Gallery of Modern Arts (Galleria nazionale d’arte moderna), I read:

Ogni epoca, per trovare identità e forza, ha inventato un’idea diversa di “classico”. Cosí il “classico” riguarda sempre non solo il passato ma il presente e una visiona del futuro. Per dar forma al mondo di domini è necessario ripensare le nostre molteplici radici. (Salvatore Settis: Futuro del “Classico”; Giulio Einaudi editore; 2004 [nuova edizione])

I think it is in some way remarkable that I bought the book in an arts gallery: arts seems to be much better able to reflect its origins without sticking to it like the fly in the trap, sweetened by honey, pleasing like Adonis, in Greek mythology the god of beauty and desire and dazing like opium. If life, real life, would support us in every day to live history in this “dialectical way”: keeping the valuable, but push the overcome part on the rubbish heap of history, mutual respect would surely be easier to reach. But as long as organisations claim to be states … All this has surely another dimension too: if and to the extent to which the church did have a legitimate role society it had been at times that are in social science frequently looked at in terms of cooperative, associational, communal … . There is much transfiguration going hand in hand with this – the golden ages of harmonious communities have never been really prevalent, at least not during those times that we may consider as sufficiently known. Nevertheless, there surely had been times preceding the modern state. and this brings us to a critical point, looking at many of today’s political movements, not least some of those claiming very critical positions against the current mainstream. Again. I do not want to question the credibility of these claims. Nor do I want to claim knowing the answers. To be honest, I am still looking for the exact question. At least I feel uncomfortable, looking at solutions based in values, in good will, in general feelings and partial analysis, not considering the fundamental changes of the productive systems. New quest for salvation: in old religions, revived Evangelism or new claims of excellence are unlikely to help. As said, I had been in the Galleria nazionale d’arte moderna. Entering the exhibition-hall, there is first a fascinating …, installation: The floor of the entire hall is a mirror, a broken mirror. Old statues standing on it … Can we say: Antonio Allegretti’s “Eva dopo il peccato” (1881) in desperation of what she lost? Giacomo Ginotti’s “Euclide” (1883) not understanding that the blueprints he made, didn’t work out? Alfonso Balzico’s “Guiletta” (1884-1886) hesitatingly-amused by looking at what emerged and could have been known by everybody? And the same Balzico’s “La Civetta” (1856-1860) even openly positioning herself beyond these worldly trivialities? Still, for all of them it is still very much a game – a bright light still shining – not victims like those who did the actual work, the ones, for which the hope of the regeneration of the soul, which is supposed to happen every seven years, doesn’t exist. It may be pure incidence that I communicate these days with Rainer about an article he sent in connection with some debate on some writing on religion: Hearing the Voice of God. Anthropologist Tanya Luhrmann studies how American evangelicals experience the friend they have in Jesus (article by by Jill Wolfson; July/August 2012). He asked me for my opinion on it:

…. In the meantime I have had a look at the text you sent. It looks as if there is quite a lot in the book in question that is in one or another way complementing the book “Gewinn in alle Ewigkeit” (Fleischmann). The first impression is striking: “Society outside [outside of the life of the sect] doesn’t exist.” And subsequently there is immediately a second point for debate: In which way did “our generations” – at least some of us – supported a development which is actually at least in analytical terms well reflected in Thatcher’s statement that “there is no such thing as society.” It is this question, so difficult to answer and even so difficult to ask: the search for personality as social being, linked to the point that the social is not just subordination and adaption. Looking at it in terms of class analysis: How can we understand Marx’ notion of a “class for itself” as development towards respecting personality, avoiding that everybody has to look individually for meaning in some dialogue: bound to an authority, without necessarily being a religious issue but easily being religious. ….

Is that really so different from how he interprets the text? His thoughts are mainly concerned with the freedom of thought, the freedom from dogmatic incrustation and the nearness to or distance from the state. Yes, indeed, the critic of the history of religion needs surely a new approach. And surely it is about how we produce and reproduce out daily life: the goods we need, the means we use and the way we produce and live together – in a way, distribution is only second stage here. That is part of what real critique of political economy is about.

The Begging State – Privatisation of a special kind

Trastevere train station – probably I will never feel comfortable with these vending machines, but bad luck: the only way to obtain a train ticket [if I would have known that aerlingus is not late but very late this day I could have walked …]. No place where to go to, asking a real human being something like: Buon giorno. Per favore, vorrai …

Did I say no human being? But no. It is called street level economic activity: A young(ish) man stood at the vending machine, helping everybody: Italians, Romans (sure, they are some kind of Italians too), frequent train-users, the occasional traveller … – he had been really grateful for being occasionally allowed to keep the change.
And I had been really grateful for the little bit of additional research opportunity on the question of reducing the cost of labour power and shifting it amongst different bearers: the (Italian) Prodi/Monti state[1] saves money needed for maintaining public services; the (Italian) state saves money for social benefits; the invoice is paid by impoverishing the public and private individuals alike …

…. But no worry, I won’t claim L’Etat c’est moi! That is still done by those who in actual fact undermine most systematically the state as what it claims to be: a democratic institution. The Louis XIVth of today are the Golden Lehmanns, Gates, Sarkozys, Orbans and Merkels …


[1]            both major promoters of selling out the Italian state to private capitals, by this destroying the entire industrial basis.